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Catching Up With…Louis St. August of MASS

Louis first off, some hearty congratulations to you and to Joey, Gene, Mike and Jeremy on “When Two World’s Collide”, which I believe musically is your strongest effort to date. You must be both thrilled and relieved at the same time at the initial responses/feedback the band has been receiving from both fans and media alike?

Thank you very much. Absolutely.  We’re really excited and overwhelmed at the response so far.  Old fans and new fans alike.  We knew we had something special but we didn’t expect this type of response on the whole.  The orders are pouring in from all over the world.

Now it’s been eight years since your last release “Sea of Black” and some might say what the hell took so long? But on the other hand given the quality of this release I would say to those critical of the delay hey the proof is in the pudding. Good things come to those who wait. How do you answer that question?

We’ve been writing here and there since the release of “Sea of Black” but I’d say in the past year and a half or so I’ve really encouraged the guys to get back in the studio to record a new album. So “WTWC” has only been in the works since early 2017.  I suppose each of us was guilty of being a bit lazy in the approach to “WTWC” but on the other hand we are all involved in the raising of our ever growing families and careers outside of music.  It’s a big commitment to get all 5 of us together on a fairly regular basis.  We used to get together 3-4 a times a week when we were 18/19 years old to work on new material.  We could travel to California or New York for gigs without much hesitation back then.  Now at this stage of our careers and personal lives that type of freedom/flexibility is limited.  So there wasn’t just a single factor in a nearly 8 year break in recording new music but we weren’t completely dormant during that period. We did record a single for “Outside Looking In” in 2015 an older song that I had brought back to the band because I thought it deserved new life.  We also recorded a few Xmas related tunes for our fans of which a portion of the sales of these songs went to Toys for Tots a charity near and dear to each of us in MASS. We sold them online at  So we were very aware our fans were craving new music. But in the end I hope the fans feel the wait was worth it.        Read more

Concert Review: Udo Dirkschneider at The Palladium in Worcester, MA

Udo Dirkschneider
April 7, 2018
The Palladium – Worcester, MA
Reviewed by: Roger Scales


Udo Dirkschneider has long been remembered as the short, stocky, camouflage wearing lead vocalist of German rockers Accept from 1979-1986 and then again briefly from 1993-1996.  What is very often overlooked is his solo career which has spawned 15 solo albums and countless live releases in a period spanning from 1987 to present.  This band U.D.O. has played all over Europe and Asia to sold out arenas holding thousands of metal fans but his tours here in North America have been sporadic and often too much smaller crowds but nonetheless just as enthusiastic.  In 2016 Udo decided to tour with his current lineup and play a set of nothing but Accept classics covering material from the first album Accept (1979) all the way though Predator (1996).  Read more

CD Review: Dirkschneider / Live Back To The Roots – Accepted!

September 18, 2017 by  
Filed under CD Reviews, Daily Music News

Live Back To The Roots- Accepted!

When Udo Dirkschneider decided in 2016 that he wanted to perform only Accept songs in his set for an entire tour he was electing to tackle legacy.  At 65 years old he has nothing left to prove.  His resume includes 10 Accept studio albums and 15 U.D.O studio albums spanning a career going back to the late 1970’s. As to not confuse longtime U.D.O fans for this venture, he decided to just go out with this touring band as “Dirkschneider”.  Only performing songs from his Accept albums for one last time.  He claims these songs will be removed from his set forever only choosing to perform U.D.O songs in the future.  One last definitive statement celebrating his Accept years, what they mean to him with a complete concert of these tracks for the fans one last time. The tour has been a huge success all over the world and sparked a Live 2 CD package in late 2016 “Live Back To The Roots” highlighting these great shows.  Demand became great for a visual companion to this Live package so another show was recorded in Dec 2016 via the Czech Republic and now fans have a 2nd Live 2 CD set with a DVD “Live Back To The Roots-Accepted!”. Read more

Catching Up With..Milijenko Matijevic of Steelheart

September 15, 2017 by  
Filed under Catching Up With..., Daily Music News

steelheartthroughworldscdSeptember 15 welcomes the brand new Steelheart album “Through Worlds of Stardust”.  Now this is the first new material since 2008 “Good 2B Alive”.  That was a very heavy record.  Is this more of a return to the magic of the late 1980’s/early 1990’s sound that longtime Steelheart fans long for?

This record is a return to the magic of that period.  What it was but still remains relevant today.    I cannot go back completely to the 80’s and that style because I’ve grown or evolved as an artist.  Music is a bit different today.   Our vision from the beginning was let’s recreate that magic again but let’s make it sound like today and be relevant today.  I hope I captured that. Read more

Book Review: Runnin’ With The Devil

July 21, 2017 by  
Filed under Daily Music News, DVD Reviews

vhRunnin’ With The Devil:
A Backstage Pass to the Wild Times, Loud Rock, and the Down and Dirty Truth Behind the Making of Van Halen

Noel E. Monk with Joe Layden

When the former manager of Van Halen between 1978-1985 publishes a book titled: “Runnin With The Devil A Backstage Pass to the Wild Times, Loud Rock, and The Down and Dirty Truth Behind The Making of Van Halen”, I’m runnin’ to the bookstore to grab a copy because I can’t wait to dig in and wait for my jaw to drop.  But the question would be, just when would it drop, how far, how often and at exactly what point would I shake my head and say no, that couldn’t have happened that way. Well the answer is it dropped early and often and never once did I roll my eyes or scratch my head saying how?  In fact, just the opposite.  What Noel Monk has done is systematically broken down component by component, year by year, tour by tour, band member by band member exactly how in a 7-year period VH went from four guys equally sharing in a dream to become the biggest rock n’ roll band ever to subdividing into so many unequal parts that it would take some skilled mathematicians weeks to sort out the mess that ultimately led to the band’s demise in its original incarnation by 1985.   But man..what a ride.      Read more

Catching Up With… Graham Bonnet


Graham, let’s talk about the release of your first Live Album/DVD in 33 years Live..Here Comes The Night.  It was recorded in April 2016 in Milan Italy as part of the Frontiers Rock Festival.  Was the intent to record that night for a live record or did the idea of releasing this come later?   

We were told in advance that this performance would be a filmed live recording for a CD/DVD package.  What’s interesting about this show was that we had just come off a boat, literally had been travelling on a ferry to get to Milan.  We had been up for a whole day.  Actually, a little more than 24 hours and we had this damn show to do.  When I watched the footage for the first time I could not believe how worn out I looked.  We were all so damn tired but in the end I think the results are what counts and it sounds terrific.  I could not watch the entire show because I look like I’m about to drop dead.  

Was it tough picking a set list from your years as a solo artist along with your work with Rainbow, MSG, Impelleteri & Alcratrazz?

It sort of is but it isn’t.  What happens is as a band we all bring to the table what we feel we would like to perform from my catalog.  By the time everybody has their input we sometimes have upwards of two full sets of material so we try and whittle down a bit and get the list down to a working set.  There are so many songs to choose from for the set because I’m been lucky enough to have a reasonably successful career and a lot of the songs are known by a lot of people all over the world, which is really cool.  So we pick from not only my solo releases but all of the other band projects that I’ve been a part of which you have already mentioned.  Two or three songs from each band and then we plan to change it up again for this coming tour and revisit some other songs from the same eras.  Eventually I’d like to promote more of the newer material and less of the old stuff as the band gets more comfortable with it.         

I’d like to go back a few months to the release of The Book also out on Frontiers Records.  Talk about the writing process for those new tracks and what it was booklike to revisit some of your older material to be re-recorded?

Well, to be honest, revisiting the older material was horrible.  I always believe that the original recording is the best. Period.  Even when I was in the bands like Rainbow and suddenly we were out on tour and listened to songs like “All Night Long” I’d be like oh my god it’s not like the record at all.  It would be something different about it.  It might be better sometimes but often it wouldn’t quite meet the expectations I wanted it to.  It’s kind of difficult because I’ve been singing these songs for 30+ years and they do become a bit stale.  But for the audience at a show the tendency is to bring the song to life again like a new baby because they are all singing it with you. In other words, if your singing your heart out then maybe I should too.  But aside from the live experience, to go back into the studio to recreate that sound or that energy it took a bit of rethinking.  There is no reaction from anyone.  It’s just you and a microphone alone in a room.  Not quite the same buzz.  It seems easier live than recording.  I simply can’t listen to those recordings because I always think back to the originals and how I felt at the time recording them.  Whether it was a happy time or sad time it doesn’t matter.  Most of them were happy times because we were creating something new.    

As far as the new material goes we worked from a clean slate in terms of the arrangements and such but several of them I had been knocking them around for a bit.  To be honest, I never thought I’d be recording an album of new material.  My last solo effort was about 16 years ago and these new tunes have been in my head for the better part of that interim period.  I played them to the band and we all took it from there.  They added their parts and did the best we could do take an old-fashioned song and make it sound new.  I tend to write in different veins and styles and the band could take several jazzy parts and make them into a rock tune.  I’ve always sung different types of music all my life.  From rhythm and blues to pop to reggae to comedy tracks; you name it, I’ve done it.  If I have a song that’s somewhat light and play it for them on acoustic guitar eventually it becomes a band song and turns electric once we all plug in.  I hate calling it The Graham Bonnet Band because it truly is an effort of all involved.            

grahambonnetbandjoey_638You have some dates booked in Europe in July with your band playing some festivals and you are also going to be playing with The Michael Schenker festival again.  What has it been like to reconnect with Michael at these festival shows?

It’s been amazing. Given the circumstances based upon my initial departure from the band it’s nice to see Michael smiling across at me after my three songs in the set during these festival dates.  We did it after all these years.  We actually played live on stage when not drunk and wanting to kill each other.  It was very special and Michael was very, very pleased and so was I.  I know we have the show in Europe in July and again starting next March this may life as a full N American tour the details of which are being worked out. As long as I’m invited and available I’ll be there.  Michael truly is one of the greatest guitar players ever and I love playing with him.     

Are there any plans for your band to tour in North America at all in 2017/2018?

We are trying to get dates in North America but trying to book them is like trying to find a needle in a haystack. It’s just not that easy.  We are what I like to call a “B” band.  We are getting to be an “A” band but we are not quite there yet!  But nobody seems that interested and moreover nobody wants to spend reasonable money which is a huge factor in this.  We have had offers to play here but the money is shit.  May as well stay at home and work on a session for the next record which is under way.  We do need to make a name for ourselves here Stateside there is no doubt about it.   

Will your touring band include the same lineup as you have or have there been any changes at all?

Actually, there have been a few changes.  We are adding Joey Tafolla on guitar and Mark Banquechea on drums while retaining Beth-Ann Heavenstone on bass and old friend Jimmy Waldo on keyboards.  It’s a much more powerful line-up for sure.  Bigger sound and I think people are going to like it.      

I had the chance to speak with Joe Lynn Turner recently and he indicated that at one point there was a Rainbow reunion tour in the works that would have included not only JLT but you and Doogie White as well.  As it turns out Ritchie decided to go in another direction and tour with an all new Rainbow lineup consisting of no members from past incarnations. Based on everything that Schenker has done recently to instill an appreciation of the history of MSG, consistently inviting past members of his different lineups to play with him, is Blackmore disappointing his fans in your opinion by not opting for inclusion of past members?

Absolutely.  But you know why he did, don’t you?  I spoke to JLT fucking years ago when the first wave of Rainbow being reunited (1995) and he (JLT) told me that I should be the singer because I had the most hits with the band.  Do you really think so Joe?  It should be Ronnie (then still alive and well fronting his own band Dio) who should be the singer and as many of the original members who are still around.  Not me and not you and not anyone but that original core lineup.   I was surprised when Ritchie went out doing these shows last year and again this year given his 20+ career in Blackmore’s Night.  I think  personally that he was chucking spaghetti against the wall to see if it stuck.  To see the Rainbow name on the marquee and see who would show up.  To be honest I have not watched or listened to any of the shows.  To me it won’t be Rainbow.  Almost anyone I have spoken to who was watched in person or who have watched or listened to it said that same thing.  It’s a shame.  Russ Ballard got up and played him very recently and I heard that didn’t go that well either.  “Since You’ve Gone” was written by him and that’s what made Rainbow into the radio friendly band it became into the JLT years.    

Your longtime fans were thrilled that Cherry Red Records not only released the first Blackthorne album Afterlife with a new expanded edition but also the never before released 2nd album Don’t Kill The Thrill.  What do you remember most fondly about that period of your career? 

Well I think leaving the band was a good one!!!  That was probably my happiest day.  It was so much work in the studio getting that thing recorded.  I was away from home for almost 8 months and we were doing gigs here and there.  By the time I got home the kids didn’t even recognize me.  It was very difficult also due to the fact that family was living in Australia at the time.  The songs were wonderful and the end result was great but the agony of making that first record was diabolical.  Endless disagreements and numerous confrontations over how the songs should sound to lyric content.  I disagreed with everything and Bob Kulick didn’t like anything I did and I would often ask him what am I doing this band then? Things have changed a lot since those and he reached out to be very recently wishing me the best of luck with all of my new endeavors.  It wasn’t just me that had issues with Bob during the making of that first record.  He criticized everyone from Frankie Banali on his drumming to Chuck Wright on his bass playing and Jimmy Waldo on keyboards.  Nobody was off limits.  It’s a shame really because he’s such an amazing guitar player but he just couldn’t help himself and had to rip everyone during the process.  Everything wasn’t quite right.  He would say “No, No don’t sing it like that.” I’d be like what? I know he wouldn’t mind me saying this now because it’s all blood under the bridge and I know he’s all happy now because he released the second album which is a bunch of songs we recorded in between gigs and the first album.   We recorded something almost every day just in case a second album would see the light of day and it indeed has and hearing a lot of good things about it.                

You must get asked all the time amongst the amazing guitar players you have played with over the course of your career do you have a favorite? Is it Blackmore, Schenker, Malmesteen,or Vai?  

I’d have to say Steve Vai just because of his versatility alone.  However, I will say that Richie Blackmore did revolutionize and originate a style of playing that Yngwie Malmsteen copied and took just a little bit further. He became much better than Ritchie I think but when I worked with him he was just a kid and was very difficult to work with, an ego that couldn’t fit in a room.  I knew he would become a big success because he always wanted to be in the spotlight and the star would stop at nothing to get it.   I have ever lasting gratitude to Blackmore for asking me to join Rainbow because it was a huge turning point in my career.  I didn’t originally want to do it but I’m glad I did.   But Vai is my favorite.  More inventive.  He thought more like me.  Instead of just writing a song and do the obvious he takes it somewhere else.      

Besides touring, what do you have scheduled for the remainder of 2017 in terms of any new music or collaborations?

Well the GBB is writing new music and with the inclusion of Joey and Mark we can start working on songs as a unit while we start to tour.  If you liked the original material from The Book then you will enjoy the new material.  We are starting to develop our own sound and that’s important.  It’s not a copy of something I’ve already done but it does have elements from the past.    

What message do you have for your enduring fans  as this brand new CD/DVD gets released on July 7? 

Please go to your local promoter and request the band!  We are now being seen as old man rock or old white guys rock and it’s tough to get gigs here in the states.  I know there is an audience out there we just have to find it.  I’ve always enjoyed playing the East Coast and can’t wait to get back there.  I miss playing in America.  This has been my home since 1979 and now I find myself flying back to Europe for work.  

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Catching Up With…Joe Lynn Turner

Scrap Metal Perform at Mohegan Sun Arena on August 5, 2011

Scrap Metal Perform at Mohegan Sun Arena on August 5, 2011

You have three upcoming shows in the New England area from May 3-5 what can your longtime fans expect from these performances?

It’s been a long time since I’ve been up there so I think that they are going to hear some Rainbow, some Deep Purple, some original material maybe a cover or two possibly Hendrix or something like that.  They are really going to see and hear a power-packed show because we got a super band and we are going to deliver for sure.

Who is in your current touring line-up?

That with lineup will be Jules Radino on drums (Blue Oyster Cult since 2004), Angus Clark on guitar (Trans- Siberian Orchestra, Rock of Ages) Rob De Martino on bass (Virgin Steele, Rondinelli) and Dr. Gary Gerber on keyboards.  All have played with me and with many other projects over the years so it’s like playing with friends.  It’s a killer band.   Read more

CD Review: Accept / First Four Classic Albums

acceotOn April 14, 2017 AMF Records is going to reissue exclusive Digipak editions of the first four Accept albums, available in this format for the first time ever.  “Accept” (1979), “I’m a Rebel” (1980), “Breaker” (1981) & “Restless and Wild” (1982).  Three of these Platinum Editions including previously unreleased Live bonus tracks recorded on singer Udo Dirkschneider’s latest tour (which took place under the banner “Dirkschneider”). The only exception being the “Accept” album which comes with an audio-recorded interview of Udo Dirkschneider as bonus, in which “Mr. German Metal” tells the story of Accept’s early days and the band’s foundation.  I’ve had a chance to listen to all four albums & wanted to pass along some thoughts on each.  For some of you it will be a chance to return to some gems from the past and for others possibly a new discovery on some material that you may have overlooked or have yet to add to your Metal collections. Read more

Catching Up With Stephen Pearcy

Smasher777_HI_RESimage_copyIt’s been awhile since the last Stephen Pearcy solo offering Under My Skin (2008) and almost as long since the last RATT release Infestation (2010).  Needless to say, Pearcy fans have been not only very patient but also very confused with everything that has been going on in the RATT camp in the last few years.  Well, the wait is over. 

On January 27, direct from Frontiers Records, comes Pearcy’s fourth solo release Smash.  A 13-track collection of exactly what you would expect from Stephen: great hooks, solid songwriting, veteran backing band and even a little Beau Hill.  I had a chance to catch up with Stephen and get a little clarification on the current state of his solo band, Smash and all things RATT.

Interviewed by: Roger Scales Read more

Concert Review & Photo Gallery: Lindsey Stirling at the Music Hall at Fair Park in Dallas, TX

November 10, 2016 by  
Filed under Concert Reviews, Daily Music News


Lindsey Stirling
November 5
, 2016
The Music Hall at Fair Park – Dallas, TX
Photos & Words by:  Mike Mezeul

Over the past six years, I have had the privilege of photographing nearly 200 concerts and experiencing some amazingly, mind-blowing shows. From KISS to Tim McGraw and more, but nothing that I have seen has come close to the outstanding performance put on by the extremely talented, Lindsey Stirling. To say her show is worth every penny is simply an understatement. Let me explain so hopefully you will have an understanding of why you need to attend one of Lindsey’s shows on her latest tour, Brave Enough.

Read more

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